Quorthon from Bathory doing FireBreath

quinta-feira, 6 de dezembro de 2012

Pactum – Desecration is the Cult We Belong




























































InfoLinks:
http://www.metal-archives.com/albums/Pactum/Desecration_is_the_Cult_We_Belong/175814
http://www.last.fm/music/Pactum

Pactum – Staining the White Veils of Christianity With the Blood of Decapitated Lamb






































































































































InfoLinks & YouTube AudioVideo:





Pactum – Summa Imperii Satanae 666





































InfoLinks:
http://www.metal-archives.com/albums/Pactum/Summa_Imperii_Satanae_666/24268
http://www.spirit-of-metal.com/album-groupe-Pactum_(BRA)-nom_album-Summa_Imperii_Satanae_666-l-pt.html

Southern Warriors Cult, Vol.1 (from: Southern Spirits Records)











































































































































































































































































































































































InfoLinks:
http://www.discogs.com/Various-Southern-Warriors-Cult-Vol1/release/3047137
http://www.metal-archives.com/bands/Imperial_Lucyfer/124166
http://www.metal-archives.com/bands/Mausoleum/12967
http://www.metal-archives.com/bands/Cheol/31035
http://www.metal-archives.com/bands/Defacer/17147
http://www.metal-archives.com/bands/Poeticus_Severus/7940
http://www.metal-archives.com/bands/Arkh%C3%B4n_T%C3%B4n_Daimoni%C3%B4n/23829
http://www.metal-archives.com/bands/Blazing_Corpse/11355
http://www.metal-archives.com/bands/Behalf_Fiend/23263
http://www.spirit-of-metal.com/label-label-Southern_Spirits_Records-l-pt.html

quinta-feira, 11 de outubro de 2012

Art Malefica – Nos Pés do Negro Altar (Demo-Tape CDr 2002)







































































InfoLinks:
Metal Archives
Spirit of Metal

Art Malefica – As Florestas Do Sul (Demo-Tape 2001)















































InfoLinks:
Metal Archives
Spirit of Metal

Avzhia ‎– Dark Emperors










































































































































InfoLinks:
Spirit of Metal
Discogs
Metal Archives
Wikipedia

Black Empire – The Black Magic Domain (MCD)






































































































InfoLinks:
Spirit of Metal
Metal Archives
MySpace

Dead


































































































Per Yngve Ohlin (16 January 1969 – 8 April 1991), better known by his stage name Dead, was a Swedishblack metal vocalist and lyricist best known for his work with Norwegian black metal band Mayhem. He also performed as vocalist of the Swedish death metal band Morbid on their demo December Moon.
Roadrunner Records ranked him #48 out of 50 of The Greatest Metal Frontmen of All Time.[1]

Early life

Per Ohlin (sometimes called "Pelle") was born in 1969 in Stockholm, Sweden.[2] As a young child, he suffered from sleep apnea.[3] At the age of ten, he suffered internal bleeding when his spleen ruptured after what he told everyone was an ice skating accident. In the Swedish metal book Blod eld död ('Blood Fire Death', an allusion to Swedish band Bathory's fourth album Blood Fire Death), his brother said in an exclusive interview that Dead was bullied in school and one day the beatings got out of hand causing the ruptured spleen.[4] He had to be rushed to a hospital, where he was for a time clinically dead.[5][2] After thisnear-death experience, he became enthralled with death and dying, and, as a result, was given the pseudonym "Dead".

Career

In early 1986, he founded the Swedish death metal group Morbid, with which he recorded a demo tape called December Moon. Shortly afterwards, he decided the band wasn't going anywhere and contacted the members of Mayhem. According to Mayhem bassist Jørn 'Necrobutcher' Stubberud, he initially sent them a small package containing a demo tape, a letter, and a crucified mouse.[5][2] Although Necrobutcher lost the package itself, he kept the tape which had Ohlin's contact details. Ohlin moved to Norway and joined the band in early 1988.[5]

Personality

In interviews, fellow musicians often described Dead as odd and introverted. Mayhem drummer Jan Axel "Hellhammer" Blomberg described Dead as "a very strange personality ... depressed, melancholic, and dark".[6] Likewise, Mayhem guitarist Øystein 'Euronymous' Aarseth once said: "I honestly think Dead is mentally insane. Which other way can you describe a guy who does not eat, in order to get starving wounds? Or who has a T-shirt with funeral announcements on it?"[7] Drummer Kjetil Manheim later likened Ohlin's personality to that of Marvin the Paranoid Android.[5]
According to Emperor drummer Bård 'Faust' Eithun:
"He [Dead] wasn't a guy you could know very well. I think even the other guys in Mayhem didn't know him very well. He was hard to get close to. I met him two weeks before he died. I'd met him maybe six to eight times, in all. He had lots of weird ideas. I remember Aarseth was talking about him and said he did not have any humour. He did, but it was very obscure. Honestly, I don't think he was enjoying living in this world, which of course resulted in the suicide."[8]
On the cover of Mayhem's Live in Leipzig, Ohlin printed a message which said: Jag är inte en människa. Det här är bara en dröm, och snart vaknar jag. Det var för kallt och blodet levrades hela tiden (roughly translated: I am not a human being. This is just a dream, and soon I will awake. It was too cold and the blood kept clotting all the time). In an article, journalist Chris Campion wrote that Dead may have suffered from Cotard delusion; meaning that he believed himself to be dead as a result of childhood trauma.[9]

Performances

For concerts, Dead went to great lengths to achieve the image and atmosphere he wished. From the beginning of his career, he was known to wear "corpse paint", which involved covering his face with black and white makeup. According to Necrobutcher, "[i]t wasn't anything to do with the way Kiss and Alice Cooper used makeup. Dead actually wanted to look like a corpse. He didn't do it to look cool".[9] Hellhammer claimed that Dead "was the first black metal musician to use corpse paint".[10]
To fulfill his corpse-like image, Dead would bury his stage clothes and dig them up again to wear on the night of a concert.[2][5] According to Hellhammer:
Before the shows, Dead used to bury his clothes into the ground so that they could start to rot and get that "grave" scent. He was a "corpse" on a stage. Once he even asked us to bury him in the ground — he wanted his skin to become pale.[10]
During one tour with Mayhem, he found a dead crow and kept it in a plastic bag. He often carried it about with him and would smell the bird before going onstage, to sing "with the stench of death in his nostrils".[9] He also kept dead birds under his bed.[2][5]
In an interview done by Marduk guitarist Morgan "Evil" Håkansson and published in Slayer fanzine, Dead explained how he and the band tried to weed-outposeurs at their concerts:
Before we began to play there was a crowd of about 300 in there, but in the second song "Necro Lust" we began to throw around those pig heads. Only 50 were left, I liked that! [...] We wanna scare those shouldn't be at our concerts and they will have to escape through the emergency exit with parts of their body missing, so we can have something to throw around. [...] If someone doesn't like blood and rotten flesh thrown in their face they can FUCK OFF, and that's exactly what they do.[11]
Dead also makes a brief appearance in the Candlemass music video "Bewitched".[12]

Self-harm and suicide

In time, Ohlin's social situation and his fascination with death caused his mental state to worsen greatly. He would often cut himself onstage with a blade or broken bottle. However, he also tried to do so while with his friends, who would have to subdue him and patch him up.[5] Although this upset many of his friends, Euronymous became fascinated with Ohlin's suicidal tendencies—seemingly because it fit Mayhem's image—and according to them, he would often encourage Ohlin to kill himself.[5][9] Manheim said: "I don't know if Øystein did it out of pure evil or if he was just fooling around."[5]
By 1991, Dead and Euronymous were living in a house in the woods near Kråkstad, which was used as a place for the band to rehearse. Mayhem bassist Necrobutcher said that, after living together for a while, Dead and Euronymous "got on each other's nerves a lot".[2] In early 1991, Varg Vikernes sent Ohlin several shells as for his shotgun.[13] On 8 April 1991, while left alone in the house,[5] he slit his wrists and throat with a knife and then shot himself in the forehead with a shotgun.[13] He left a brief suicide note, which apologized for having used the gun indoors and ended with: "Excuse all the blood".[2][14]
The body was found by Euronymous, who had to climb through an open window as the doors were locked and there were no other keys to the house.[5][13]Upon finding the body, he got a camera and took several pictures of the body, after re-arranging some items.[5][13] He also allegedly kept bits of Ohlin's shattered skull.[5] His motive for doing so is unclear; Necrobutcher speculated that taking the pictures and forcing others to see them was a way for Euronymous to cope with the shock of seeing his friend dead.[5][9] After Hellhammer developed the photos, Euronymous initially promised to destroy the pictures, but ultimately did not. He kept them in an envelope at his record shop Helvete.[5] Euronymous allegedly sent one of the pictures to the owner of Warmaster Records in Colombia[5] and it was used as the cover of the bootleg live album Dawn of the Black Hearts, which was released in 1995.
The suicide caused a rift between Euronymous and his friends, who were disgusted by his attitude towards Ohlin before the suicide, and his behavior afterwards. Necrobutcher ended his friendship with Euronymous.[5] Manheim later speculated that Euronymous had wilfully left Ohlin alone in the house so that he would have a chance to kill himself.[5] Ohlin's suicide was said to cause "a change in mentality" in the black metal scene and was the first in a string of infamous events carried out by its members.[5][9]
An obituary in a Swedish newspaper stated that Ohlin's funeral was held at Österhaninge kyrka (Eastern Haninge Church) on Friday 26 April 1991 at 10:00 am.[15] He was buried at Österhaninge kyrkogård (Eastern Haninge graveyard) in Stockholm.

Text taken from: http://en.wikipedia.org/wiki/Per_%22Dead%22_Ohlin

Tribute: http://www.peryngveohlin.com/

Interviews: http://pt.scribd.com/doc/46214400/Dead-Per-Yngve-Ohlin-Interviews

Euronymous

















































Øystein Aarseth (22 March 1968 – 10 August 1993[1]), who went by the pseudonym Euronymous, was aNorwegian guitarist and co-founder of the Norwegian black metal band Mayhem. He was also founder and owner of the extreme metal record label Deathlike Silence Productions and record shop Helvete. Euronymous was the founder of and central figure in the early Norwegian black metal scene until his murderby fellow musician Varg Vikernes in 1993.
Euronymous was ranked No. 51 out of The 100 Greatest Heavy Metal Guitarists of All Time by Guitar World.[2]

Beliefs and personality

Mayhem drummer Kjetil Manheim (who was friends with Euronymous from 1983 until his death) described Euronymous as "blond, health oriented, very good at school. He worked-out a lot, didn't smoke, didn't drink ... That was the Øystein we knew. A nice guy, a family guy ... But when we weren't around he could play-out his role". However, Manheim claimed that Euronymous became "extreme" towards the end of his life: "He liked telling people that they were worthless; [that] he was the best. He was all 'I define black metal. Black metal is me!' ... I think he was trapped in the image of Mayhem. He became amegalomaniac".[9] In the documentary Pure Fucking Mayhem he said "Øystein's daily life was a total theater" that was based on the black metal "archetype" of 'Euronymous'.[5] Ihsahn, who frequented Helvete, said that "if you were trusted, if they knew you were serious in your views, you were accepted" there, which was important to be a part of the Helvete scene.[30]
Metalion, who knew Euronymous since 1985[3] and considered him to be his best friend,[32] said that Euronymous "was always telling what he thought, following his own instincts to the true Black Metal stuff like corpsepaint and spikes, worshipping death and being extreme".[33]

Satanism

In interviews, Euronymous said he was a Theistic Satanist[34] and anti-individualist:[35]
I believe in a horned devil, a personified Satan. In my opinion all the other forms of Satanism are bullshit. [...] Satanism comes from religious Christianity, and there it shall stay. I'm a religious person and I will fight those who misuse His name. People are not supposed to believe in themselves and be individualists. They are supposed to OBEY, to be the SLAVES of religion. – Euronymous, in an interview by Esa Lahdenperä, early August 1993[35]
Ostensibly, the theistic Satanism embraced by Euronymous was a deliberate fundamental inversion of Roman Catholic dogma.[34][35] He opposed the teachings of Aleister Crowley and Anton LaVey, for unlike Euronymous they promoted what he saw as "peace" and commercial frivolity, as well as individualism in contrast to precedence of dogma.[34][35] He said he would "Never accept any band which preaches Church of Satan ideas, as they are just a bunch of freedom and life-loving atheists, and they stand exactly the opposite of me".[35]
Euronymous said that the term black metal can apply to any kind of metal, so long as it is "Satanic" and "heavy": "In a way, it can be ordinary heavy metal or just noise. What's important is that it's Satanic; that's what makes it black metal".[24] He rejected bands like Immortal being called black metal, "as they are not Satanists", but supported the band nonetheless.[35] As noted earlier, bands who supported the Church of Satan were also rejected.[35]
In the black metal documentary Until the Light Takes Us, Varg Vikernes claimed that Euronymous was not a Satanist. He said: "To Aarseth everything was about image and he wanted to appear extreme. He wanted people to think of him as being extreme; the most extreme of them all. But he didn't want to beextreme and he wasn't really extreme".[17] Mortiis, however, said that Euronymous "was such a devil worshipper you wouldn't believe it".[36]
Over time, some members of the Norwegian scene began to follow Paganism. Vikernes later claimed that Euronymous—"obsessed with this 'Satanist' thing"—disapproved of Vikernes promoting Paganism.[37] Euronymous showed no explicit disapproval of Paganism though and released the Pagan bandEnslaved’s first album, Vikingligr Veldi, on Deathlike Silence Productions.

Communism

Euronymous was a member of the Norwegian Communist youth group Rød Ungdom.[38] According to fellow black metal musician Frost, here he may have honed the leadership skills he would use in the early Norwegian black metal scene, where he allegedly led a "Black Metal Inner Circle". Euronymous claimed to favor the totalitarian style of communism practiced by Joseph Stalin and Pol Pot.[39] Although he did not use the music of Mayhem to promote his political leanings, he saw them as mutually compatible with black metal – influenced by the repressive nature of his Satanism as well as his intense misanthropy.[39]

Text taken from: http://en.wikipedia.org/wiki/Euronymous

Some interviews with Euronymous:
http://www.users.globalnet.co.uk/~jasen01/warsongs/euronymous2.htm - http://www.angelfire.com/band/mayhem/euro2.html - http://www.fmp666.com/moonlight/mayhem.html - http://smnnews.com/board/showthread.php?threadid=32213 - http://true.mayhem.free.fr/interviews/interview6.htm -